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Music : Nancarrow: Studies for Player Piano

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from: Wergo Germany

 : Nancarrow: Studies for Player Piano
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Binding: Audio CD
EAN: 4010228690729
Format: Import
Label: Wergo Germany
Manufacturer: Wergo Germany
Number Of Discs: 5
Publisher: Wergo Germany
Release Date: January 11, 2000
Studio: Wergo Germany
Sales Rank: 39205




Disc 1:
  1. Vol. I: Study For Player Piano No. 3a
  2. Vol. I: Study For Player Piano No. 3b
  3. Vol. I: Study For Player Piano No. 3c
  4. Vol. I: Study For Player Piano No. 3d
  5. Vol. I: Study For Player Piano No. 3e
  6. Vol. I: Study For Player Piano No. 20
  7. Vol. I: Study For Player Piano No. 44
  8. Vol. I: Study For Player Piano No. 41a
  9. Vol. I: Study For Player Piano No. 41b
  10. Vol. I: Study For Player Piano No. 41c
Disc 2:
  1. Vol. II: Study For Player Piano No. 4
  2. Vol. II: Study For Player Piano No. 5
  3. Vol. II: Study For Player Piano No. 6
  4. Vol. II: Study For Player Piano No. 14
  5. Vol. II: Study For Player Piano No. 22
  6. Vol. II: Study For Player Piano No. 26
  7. Vol. II: Study For Player Piano No. 31
  8. Vol. II: Study For Player Piano No. 35
  9. Vol. II: Study For Player Piano No. 32
  10. Vol. II: Study For Player Piano No. 37
  11. Vol. II: Study For Player Piano Tango?
  12. Vol. II: Study For Player Piano No. 40a
  13. Vol. II: Study For Player Piano No. 40b
Disc 3:
  1. Vol. III: Study For Player Piano No. 1
  2. Vol. III: Study For Player Piano No. 2a
  3. Vol. III: Study For Player Piano No. 2b
  4. Vol. III: Study For Player Piano No. 7
  5. Vol. III: Study For Player Piano No. 8
  6. Vol. III: Study For Player Piano No. 10
  7. Vol. III: Study For Player Piano No. 15
  8. Vol. III: Study For Player Piano No. 21
  9. Vol. III: Study For Player Piano No. 23
  10. Vol. III: Study For Player Piano No. 24
  11. Vol. III: Study For Player Piano No. 25
  12. Vol. III: Study For Player Piano No. 33
  13. Vol. III: Study For Player Piano No. 43
  14. Vol. III: Study For Player Piano No. 50
Disc 4:
  1. Vol. IV: Study For Player Piano No. 9
  2. Vol. IV: Study For Player Piano No. 11
  3. Vol. IV: Study For Player Piano No. 12
  4. Vol. IV: Study For Player Piano No. 13
  5. Vol. IV: Study For Player Piano No. 16
  6. Vol. IV: Study For Player Piano No. 17
  7. Vol. IV: Study For Player Piano No. 18
  8. Vol. IV: Study For Player Piano No. 19
  9. Vol. IV: Study For Player Piano No. 27
  10. Vol. IV: Study For Player Piano No. 28
  11. Vol. IV: Study For Player Piano No. 29
  12. Vol. IV: Study For Player Piano No. 34
  13. Vol. IV: Study For Player Piano No. 36
  14. Vol. IV: Study For Player Piano No. 46
  15. Vol. IV: Study For Player Piano No. 47
Disc 5:
  1. Vol. V: Study For Player Piano No. 42
  2. Vol. V: Study For Player Piano No. 45a
  3. Vol. V: Study For Player Piano No. 45b
  4. Vol. V: Study For Player Piano No. 45c
  5. Vol. V: Study For Player Piano No. 48a
  6. Vol. V: Study For Player Piano No. 48b
  7. Vol. V: Study For Player Piano No. 48c
  8. Vol. V: Study For Player Piano No. 49a
  9. Vol. V: Study For Player Piano No. 49b
  10. Vol. V: Study For Player Piano No. 49c
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Editorial Review:

Amazon.com:
To speak of Conlon Nancarrow's music for player piano shouldn't be mistaken to suggest some still broader range of musical output of which the composer's piano rolls are but a subset. Quite the contrary: Nancarrow's meticulous scores--generally unplayable, at least by most primates--are the body of his life's work. This five-CD set contains dozens upon dozens of his studies, each a fairly self-contained exploration of tempo, pitch, rhythm, counterpoint--and the interaction between pairings of those core musical categories. Certainly, this is "difficult" music, hard on the ears, off-kilter in a manner that both demands attention and may repulse listeners unfamiliar with experimental composition. After initial exposure, this collection is the sort of thing that sits on the shelf for some time, before your imagination breaks its internal code. Once that code is broken, though, the vast life inherent in this "mechanical" music becomes almost intoxicating. On some of the quieter pieces, the piano's tone is similar to that of a harpsichord. On others, the palimpsest of ragtime is undeniable. Yes, some pieces seem overly chaotic, but spend some time with them and you'll see, in your mind's eye, dozens of hands working the keys. --Marc Weidenbaum



Customer Reviews
Average Rating:  out of 5 stars

Rating: 5 out of 5 stars - symphony of a thousand (pianos)
Imagine for a moment that you have entered a room full of slightly beat-up upright pianos. These pianos begin to come to life by sputtering out unusual, irregular melodies. The melodies don't fit together exactly, but somehow they seem right sounding together. Before you know it, there are so many pianos playing that you can't keep track of them all and they begin to accrue into an impossibly dense spray of sound. Even if you had a roomful of humans playing these pianos they wouldn't get the overwhelming, ... Read More



Rating: 5 out of 5 stars - piano revelations.
This stuff influenced Ligeti's "Etudes" for solo piano. The music is mind-blowing.



Rating: 5 out of 5 stars - Dizzying experiments by a brilliant maverick
A true compositional original, Conlon Nancarrow is best known for these mind-blowing pieces for player piano. Why this particular instrument? Because most of these short works are utterly unplayable by human beings, unless you are capable of say, depressing all 88 keys at the same time. While later in life Nancarrow also wrote a few small pieces for chamber ensembles, his work here is the core of his output and where his imagination truly took flight.

You may not be quite lucid after hearing ... Read More



Rating: 4 out of 5 stars - Intriguing Ideas, Experiment upon Experiment
Conlon Nancarrow is one of those composers who could exist only in real life, as he would be too implausible for fiction. Nancarrow was a composer for player piano, who spent much of his life an expatriate in Mexico, composing music steeped in both early 20th C. jazz and "modernist" classical traditions, and yet music that is entirely individual.

For me, Nancarrow's work functions best when he illustrates the sheer possibility of the keyboard freed from the limitations of a human player or players. ... Read More



Rating: 5 out of 5 stars - Expand your thinking about music construction
Re-open any closed ideas you had about musical structure, architecture, harmony, rhythm, melody -- and what brings pleasure to your brain. Listening to these pieces inspires whole new forms of composition.

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